Not bad at all. In Aller Stille opens with a 'We're still here!’ song which sets the tone for the rest of the album. There's less musical experimentation (or, depending on your perspective, boredom) here than the Hosen's had a decade ago, so there's no horn sections or supermarket trolleys or funk rhythms. Nevertheless, a cello creeps into a couple of pieces, as well as a duet on a ballad. And a decent ballad at that. There is a fair amount of shouting—which should please my brother—although at times it sounds a little cheesy, as do the Madonna-esque keyboards on 'Disco' (but you can't really hold that against them as that's their point). All in all it's a short, punchy album which doesn't really do anything new but does show that the Hosen's can still muster up enough passion, anger, and musicality to remain relevant. Whether it's still punk is another question.
Verdict: Good; worth hearing. RYM review.